Partitions Numériques de All I Ask Of You pour Saxophone Soprano et Piano

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All I Ask Of You
Non classifié 260

Piano & claviers
Piano seul 109
Piano, Voix et Guitare 42
Piano, Voix 31
Piano Facile 20
2 Pianos, 4 mains 18

Instruments en Do 17
Piano grosses notes 4
1 Piano, 4 mains 4
Orgue 3
Accompagnement Piano 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano Quatuor: piano, 2 violons, violoncelle 1
Piano Trio: piano, violon, violoncelle 1

+ 8 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 16
Guitare 13
Guitare notes et tablatures 12
Ukulele 8
Paroles et Accords 4

Basse electrique 2
4 Guitares (Quatuor) 1
3 Guitares (trio) 1
Mandoline 1

+ 4 instrumentations

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Voix
Chorale SATB 38
Chorale 2 parties 10
Chorale 3 parties 8
Voix duo, Piano 3
Chorale Unison 3

Voix duo 2
Chorale SSAA 2
Chorale 2
Chorale TTBB 2
Voix Soprano, Piano 2
Voix seule 1
Voix Alto, Piano 1
Voix Tenor 1

+ 8 instrumentations

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Vents
Quintette de Saxophone: 5 saxophones 12
Ensemble de saxophones 11
Flûte traversière et Piano 9
Ensemble de Clarinettes 7
Clarinette et Piano 6

Ensemble de Flûtes 6
Flûte traversière 6
Quatuor de Saxophones: 4 saxophones 6
Flûte, Hautbois, Clarinette, Basson 5
Saxophone Alto et Piano 3
Hautbois, Piano (duo) 3
Saxophone Alto 3
Quatuor de Clarinettes: 4 clarinettes 3
Clarinette 3
Saxophone Tenor et Piano 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Saxophone (partie séparée) 3
2 Clarinettes (duo) 2
Quatuor de Flûtes : 4 flûtes 2
Quintette de Flûte : 5 flûtes 2
Flûte, Violon, Piano 2
Saxophone Baryton, Piano 1
2 Flûtes traversières (duo) 1
Cor anglais, Piano 1
Clarinette, Violoncelle (duo) 1
Quintette de Clarinettes: 5 clarinettes 1
Clarinette Basse, Piano 1
Saxophone et Orgue 1
Clarinette, Basson (duo) 1
Saxophone Soprano et Piano 1

Flûte, Clarinette (duo) 1
Saxophone Tenor 1
2 Flûtes traversières, Piano 1

+ 28 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 16
Ensemble de Trombones 6
Trombone 6
Quatuor de Cuivres: 2 trompettes, Cor, trombone 5
Ensemble de Trompettes 4

Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
Trompette, Piano 4
Trombone et Piano 4
Cor et Piano 3
Ensemble de Cors 3
Trompette 3
Cor 3
Quatuor de Cuivres 2
Tuba et Piano 2
2 Trombones (duo) 1
Euphonium, Tuba (duo) 1
Cor anglais, Piano 1
2 Tubas (duo) 1
Quatuor de cuivres: 4 trombones 1
2 Trompettes (duo) 1
2 Cors (duo) 1
Euphonium, Piano (duo) 1
Trompette (partie séparée) 1

+ 18 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 12
Harpe 10
Violon 10
Violon, Violoncelle (duo) 9
Violon et Piano 8

2 Violons (duo) 7
Violoncelle, Contrebasse (duo) 6
Violoncelle, Piano 5
2 Altos (duo) 5
2 Violoncelles (duo) 4
2 Contrebasses (duo) 4
Violoncelle 4
Trio à Cordes: violon, alto, violoncelle 4
Violon, Alto (duo) 4
Alto, Piano 3
Alto, Violoncelle (duo) 3
Alto seul 3
Violoncelle (partie séparée) 2
4 Violoncelles 2
Ensemble d'Altos 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 2
Ensemble de Violons 2
Trio à cordes 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Violoncelle , Guitare (duo) 1
Alto (partie séparée) 1
Quatuor à cordes: 4 violons 1
Quatuor à cordes : 4 altos 1
Harpe, Violoncelle (duo) 1
Trio à Cordes: 2 violons, violoncelle 1

+ 25 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 23
Orchestre 15
Ensemble Jazz 7
Orchestre à Cordes 6
Fanfare 3

Ensemble de cuivres 3
Orchestre de chambre 2
Jazz combo 2

+ 3 instrumentations

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All I Ask Of You

Saxophone Soprano et Piano

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1 partition trouvée

Bach-Gounod: Ave Maria for Soprano Sax & Piano

Bach-Gounod: Ave Maria for Soprano Sax & Piano #Saxophone Soprano et Piano #FACILE #Bach-Gounod #James M #Piano - S0 #Bach-Gounod: Ave Maria for Sop #jmsgu3 #SheetMusicPlus

Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. ...(+)

Piano,Soprano Saxophone - Level 2 - SKU: A0.549366 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 14 pages. Jmsgu3 #3490157. Published by jmsgu3 (A0.549366). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Soprano Sax & Piano - S0.661999. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

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